Here's another testament to why it's best to get your art scans and blogging done in a timely manner. The last three portions of the jam that I have gotten colored were seemingly at HeroesCon last year, even though I thought that at least some of them were at the previous year's Fan Expo New Orleans. One of the three may well have been, and it was my second pick to post this week, except I don't recall who did it, and have to dig through my records. My first choice was done by a different artist than I thought who did do a piece for me in NOLA, so I want to save that until I can feature both in the same week. That leaves this one, which I thought had been done by an artist with whom I had a prior track record, but that seems not to be the case. I'm old, and my memory is fuzzy, so can you tell I'm vamping to fill space?
Anyway, I was looking for a radical revision on the Maxx coloring along the lines of what Daniel Dahl did with his pieces, and he wanted to do Maxx the most, but I held out for a painter. I approached at least one well known one, and I think more than one over the years, but the first turned me down and I believe others priced me out. After a half decade, I gave up on circling back to Dahl, but I did find a painter who seemed like a great fit and gave me a great rate. Daniel Govar had strong fantasy art chops, while also dipping into super-heroes, so I figured he'd have an appropriately bold approach to this character. I think the sort of tie dye quality to the colors is a good fit for the Maxx, and I like the sunlight hitting him from the side. Govar stayed faithful to the original art, which is something that I usually prefer (I still ache a bit over the obliteration of Jim Starlin's pencils in another jam, despite the finished work clearly improving on his layout.)
Daniel Govar
Monday, October 13, 2025
Monday, October 6, 2025
Pitt & Friends finished art by Evan Dorkin
Okay, let's be real. I asked Neal Adams to draw Pitt in the closing hour or so of HeroesCon. To my surprise, he said yes, for the relatively low price (for him, at the time) of $200-250. I got a very rough outline, and I would have paid more for a tighter piece, but I'm still proud to have gotten what I could under the circumstances. I then took it to Evan Dorkin, and asked how he'd like to ink Neal Adams? Not so much, actually, since he didn't feel that he could ape Adams' style, and didn't exactly have the warmest regards toward the man himself. I explained that there wasn't much identifiable as Adams in the sketch, and I certainly wouldn't ask an artist of Dorkin's caliber to mimic another artist. Again, frankly, there were other guys at the show who'd either trained under the heavy hand of Adams or were known for being able to impersonate other artists (hell-- Joe Staton contributed here already, though in his own style.)
We'd already agreed that he would draw the Savage Dragon, and that it would require his taking the piece home. So what we discussed was maybe filling out the space... Specifically, we set down the two main characters, and then toss in a bunch of Isz from The Maxx, plus some foreground/background elements. It took a little time after the show for Dorkin to get started, and then as he worked on it, we talked about adding some additional cameos into the mix. Late in the game, I requested Eric Stephenson & Richard Horie's Infiniti, since she was an obscure early Image heroine co-created by an integral person, who eventually became their current longtime publisher and a partner in the company. I don't think that quite happened, and I'm pretty sure some properties that were eventually sold to DC accidentally ended up in a piece meant to honor those still with Image a quarter century in. But we're also talking about '90s Image b-listers, so they're a tad less than iconic, and I figure some creative coloring could "correct" for that.
Anyway, Dorkin was checking in with me and sending photos of the process. I think I recall his needing some nudging to more or less obliterate what Adams had laid down, but those emails are locked up in an account that Yahoo! isn't allowing me access to without handing over my Social, passport, and their preferred testicle. I'd hate to break up the set for a simple clarification. Eventually, Dorkin absolutely went to town on Pitt, to a degree that I think surpasses his Dragon. It feels like he was trying to exceed the detailing of Pitt's own creator, Dale Keown, and I'm here for it. Pitt went from being questionably salvageable to maybe the coolest bit on Dorkin's already extraordinary build-out of the jam. I hope you enjoyed seeing the progress of Pitt, and if you're so inclined, hit up Dorkin for a piece all your own?
Evan Dorkin
We'd already agreed that he would draw the Savage Dragon, and that it would require his taking the piece home. So what we discussed was maybe filling out the space... Specifically, we set down the two main characters, and then toss in a bunch of Isz from The Maxx, plus some foreground/background elements. It took a little time after the show for Dorkin to get started, and then as he worked on it, we talked about adding some additional cameos into the mix. Late in the game, I requested Eric Stephenson & Richard Horie's Infiniti, since she was an obscure early Image heroine co-created by an integral person, who eventually became their current longtime publisher and a partner in the company. I don't think that quite happened, and I'm pretty sure some properties that were eventually sold to DC accidentally ended up in a piece meant to honor those still with Image a quarter century in. But we're also talking about '90s Image b-listers, so they're a tad less than iconic, and I figure some creative coloring could "correct" for that.
Anyway, Dorkin was checking in with me and sending photos of the process. I think I recall his needing some nudging to more or less obliterate what Adams had laid down, but those emails are locked up in an account that Yahoo! isn't allowing me access to without handing over my Social, passport, and their preferred testicle. I'd hate to break up the set for a simple clarification. Eventually, Dorkin absolutely went to town on Pitt, to a degree that I think surpasses his Dragon. It feels like he was trying to exceed the detailing of Pitt's own creator, Dale Keown, and I'm here for it. Pitt went from being questionably salvageable to maybe the coolest bit on Dorkin's already extraordinary build-out of the jam. I hope you enjoyed seeing the progress of Pitt, and if you're so inclined, hit up Dorkin for a piece all your own?
Evan Dorkin
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